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#!!/&nbsp; !/</a></div> <div style="font-family:Tahoma, Geneva, sans-serif;font-size:14px;"><p class='pcAuthor'><span class='pcName'>Eugene Makovetsky</span><span class='pcAffil'>, St Petersburg State University, Institute of Philosophy</span><span class='pcPosition'>, Professor</span><span class='pcDegree'>, DSc in Philosophy</span></p> <p class='pcTitleD'><i>Ekphrasis</i> of body in the Early Byzantine Platonic dialogues<a href="#supFtn" name="supRtn">*</a></p><p class='tcSumma'>Classical and Early Byzantine models of ekphrasis of body are compared in the report. The distinction between these models concerns the body s image. The main feature of the Early Byzantine model of ekphrasis of body is the ability to show something invisible, namely, Conception and Resurrection.</p><br /> <p class='tcKeywords'>Byzantine Platonic dialogues, <i>ekphrasis</i> of body, Methodius of Olympus, Gregory of Nyssa</p><br /> <p class='tcGrant'><a href="#supRtn" name="supFtn">*</a>AA;54>20=85 2K?>;=5=> ?@8 D8=0=A>2>9 ?>445@6:5 $$ 2 @0<:0E =0CG=>3> ?@>5:B0 ! 18-011-00669.</p><br /> <p class='hcAbstract'>I attempt to represent the specifics of description of a body in the Early Byzantine platonic dialogues. It is important to understand, besides, why the body is represented in these dialogues so and not differently. I analyse the ekphrasis of body, first, in the dialogue Symposium, or on Virginity by Methodius of Olympus, secondly, in the dialogue On the Soul and the Resurrection by Gregory of Nyssa. For reconstruction of the model of the classical description of a body I have applied the Phaedo by Plato and the the ekphrasis of body presented in The Imagines by the Elder Philostratus, the author of the 3rd century AD.&nbsp;</p> <p class='hcAbstract'>First of all, attracts attention that in the Early Byzantine platonic dialogues not only live and dead bodies are represented as it was in the classical ekphrasis of body. It is considerably that conception and resurrection are the key moments for the image of body here.&nbsp;</p> <p class='hcAbstract'>In this regard  and it attracts attention in the second turn  Early Byzantine ekphrasis of body is extremely vague in comparison with classical. In my opinion, this vagueness can't be explained with anything else as, first, specifics of the the described material. And secondly, by intended use of the ekphrasis as the tool for the description of this specific material. Conception is the mysterious moment of the beginning of existence of soul and body of the person. Resurrection is the reunification of soul and body of the person for eternal life. So the ekphrasis of the invisible is required for the description of that and another. But the result of the first ekphrasis is the haze and the second  radiance.&nbsp;</p> <p class='hcAbstract'>If characterize classical ekphrasis of body as static one which objects and results are set according to beauty canon, then early Byzantine ekphrasis of body it is possible to characterize as dynamic one because the body appears here as the dynamic nature: decreasing and increasing. A subject of the first ekphrasis is the live and dead body, a beautiful body, an ugly body. A subject of the second ekphrasis is conception, breast feeding, resurrection etc. If to apply this scheme to the analysis of the ekphrasis of the body existing in modern secular culture  and it attracts attention in the third turn  become clear that now both of these schemes are used equally.&nbsp;</p> <p class='hcAbstract'>&nbsp;</p> <p class='hcAbstract'>&nbsp;</p> <p class='hcAbstract'>This paper is part of the research project ! 18-011-00669 funded by the Russian Foundation for Basic Research</p> </div> </td> <td style="background:url(tabs/tii_69.png) repeat-y"></td> </tr> <tr> <td><img src="tabs/tii_72.png" alt="" /></td> <td style="background:url(tabs/tii_74.png) repeat-x"></td> <td><img src="tabs/tii_79.png" alt="" /></td> </tr> </table> <p class="MsoNormal" align="right" style='text-align:right'><span style='font-size:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&quot;'>© ;0B>=>2A:>5 >1I5AB2>, 2018 3. </span></p> <p align="right" style='margin-top:0mm;margin-right:3pt;margin-bottom: 0mm;margin-left:-36.0pt;margin-bottom:.0001pt;text-align:right'><b><span style='font-size:10.0pt;font-family:&quot;Tahoma&quot;,&quot;sans-serif&quot;'><a href="../index3.htm">  !!# $ &</a></span></b></p> <!-- InstanceEndEditable --> </td> </tr> </tbody> </body> <!-- InstanceEnd --></html>